Tag Archives: Hubert Dreyfus

Considering the Role of Cognitive Control in Expert Performance

Recently I have been collaborating with the sport psychologists John Toner and Aidan Moran.

Toner, Montero, and Moran, Considering the Role of Cognitive Control in Expert Performance (December 2014, Phenomenology and the Cognitive Sciences  DOI:10.1007/s11097-014-9407-6):
Abstract: Dreyfus and Dreyfus’ (1986) influential phenomenological analysis of skill acquisition proposes that expert performance is guided by non-cognitive responses which are fast, effortless and apparently intuitive in nature. Although this model has been criticized (by, for example, Breivik 2007, 2013;  Eriksen 2010; Montero 2010; Montero and Evans 2011) for over-emphasizing the role that intuition plays in facilitating skilled performance, it does recognize that on occasions, such as when performance goes awry, a form of ‘detached deliberative rationality’ may be used by experts to improve their performance. That said, Dreyfus and Dreyfus (1986) see no role for calculative problem solving or deliberation (which involves drawing on rules or mental representations) when performance is going well. In the current paper, we draw on empirical evidence, insights from athletes, and phenomenological description to argue that ‘continuous improvement’ (that is, the phenomenon whereby certain skilled performers appear to be capable of increasing their proficiency even though they are already experts; Toner and Moran 2014) among experts is mediated by cognitive (or executive) control in three distinct sporting situations, namely, in training, during pre-performance routines, and while engaged in on-line skill execution. We conclude by arguing that Sutton et al. (2011) ‘applying intelligence to the reflexes’ (AIR) approach may help to elucidate the process by which expert performers achieve continuous improvement through analytical/mindful behavior during training and competition.

Considering the Role of Cognitive Control in Expert Performance

Intuition, Rationality and Chess Expertise

From Chapter 11 of my forthcoming book, The Myth of ‘Just do it’: Thought and Effort in Expert Action:

Hubert Dreyfus argues that although analysis and deliberation play a role in chess in sub-optimal situations, the best moves made by chess players at the international master level or grandmaster level involve neither analysis nor deliberation nor even conceptualizing the board. Rather, Dreyfus tells us that “after much experience, the chess master is directly drawn by the forces on the board to make a masterful move.” High-level chess, on Dreyfus’s view,is bred neither in the heart nor in the head, but out there on the sixty-four squares. Is this right?


Intuitions Without Concepts Lose the Game: Mindedness in the Art of Chess

Barbara Montero & C. Evans (2011). Intuitions Without Concepts Lose the Game: Mindedness in the Art of Chess. Phenomenology and the Cognitive Sciences10 (2):175-194.

Abstract. To gain insight into human nature philosophers often discuss the inferior performance that results from deficits such as blindsight or amnesia. Less often do they look at superior abilities. A notable exception is Herbert Dreyfus who has developed a theory of expertise according to which expert action generally proceeds automatically and unreflectively. We address one of Dreyfus’s primary examples of expertise: chess. At first glance, chess would seem an obvious counterexample to Dreyfus’s view since, clearly, chess experts are engaged in deep strategic thought. However, Dreyfus’s argument is subtle. He accepts that analysis and deliberation play a role in chess, yet he thinks that all such thought is predicated on intuitive, arational expert perception, and action. We argue that even the so-called intuitive aspect of chess is rational through and through.

Does Bodily Awareness Interfere with Highly Skilled Movement?

Barbara Montero (2010). Does Bodily Awareness Interfere with Highly Skilled Movement? Inquiry53 (2):105 – 122.

Draft of Does bodily awareness interfere with highly skilled movement

Abstract. It is widely thought that focusing on highly skilled movements while performing them hinders their execution. Once you have developed the ability to tee off in golf, play an arpeggio on the piano, or perform a pirouette in ballet, attention to what your body is doing is thought to lead to inaccuracies, blunders, and sometimes even utter paralysis. Here I re-examine this view and argue that it lacks support when taken as a general thesis. Although bodily awareness may often interfere (…) with well-developed rote skills, like climbing stairs, I suggest that it is typically not detrimental to the skills of expert athletes, performing artists, and other individuals who endeavor to achieve excellence. Along the way, I present a critical analysis of some philosophical theories and behavioral studies on the relationship between attention and bodily movement, an explanation of why attention may be beneficial at the highest level of performance and an error theory that explains why many have thought the contrary. Though tentative, I present my view as a challenge to the widespread starting assumption in research on highly skilled movement that at the pinnacle of skill attention to one’s movement is detrimental.