The Aesthetic Experience of Expert Movement

From Chapter 10 of my forthcoming book, The Myth of ‘Just do it’: Thought and Effort in Expert Action:

The idea for writing a book on the role of thought, effort and self-focus in expert action was prompted by an objection the philosopher and avid golfer Bob Child made after a talk I had given on the idea of proprioceiving aesthetic properties. I was arguing that proprioception—the sense by which we acquire information about the positions and movements of our own bodies, via receptors in the joints, tendons, ligaments, muscles, and skin—is an aesthetic sense, that is, a sense by means of which we experience  beauty, grace, and other aesthetic properties. Child wanted to know how a dancer on stage could have the aesthetic experience of her own movement, since  focusing on highly-skilled movements trammels their performance. If experts are to perform at their best, he averred, they can’t focus on what they are doing, and thus they cannot have the sorts of aesthetic experiences I attribute to them. This chapter, at long last, is my response.

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